Marvel Comics Seeking Writers!

From Superherohype.com:

Marvel Entertainment is readying to assemble a group of writers who will pen scripts for various properties Marvel wants to develop, reports Variety.

Marvel will invite up to five writers each year to work on specific projects. Those could include staffers behind Marvel’s comic books.

The trade adds that the company will provide the specific pitches it wants the writers to tackle. Those could involve certain plot points for movies already in development or characters it would like to see in its future film slate.

The gathering of screenwriters will help Marvel come up with creative ways to launch its lesser-known properties, such as Black Panther, Cable, Doctor Strange, Iron Fist, Nighthawk and Vision.

So far, it has focused its efforts on more popular superheroes like Iron Man, The Incredible Hulk, Thor and Captain America.

A group of Marvel executives will choose the writers, with the final decision made by Kevin Feige, Marvel Studio’s president of production.

Terms call for Marvel to own whatever the writers work on during the year. Company has the option to continue a relationship with the writers after that period.

Source.

Writing in the Internet Age!

Novelist Cory Doctorow has some excellent advice for aspiring writers on …

“Writing in the Age of Distraction”

by

Cory Doctorow

From Locus Magazine Online:

We know that our readers are distracted and sometimes even overwhelmed by the myriad distractions that lie one click away on the Internet, but of course writers face the same glorious problem: the delirious world of information and communication and community that lurks behind your screen, one alt-tab away from your word-processor.

The single worst piece of writing advice I ever got was to stay away from the Internet because it would only waste my time and wouldn’t help my writing. This advice was wrong creatively, professionally, artistically, and personally, but I know where the writer who doled it out was coming from. Every now and again, when I see a new website, game, or service, I sense the tug of an attention black hole: a time-sink that is just waiting to fill my every discretionary moment with distraction. As a co-parenting new father who writes at least a book per year, half-a-dozen columns a month, ten or more blog posts a day, plus assorted novellas and stories and speeches, I know just how short time can be and how dangerous distraction is.

But the Internet has been very good to me. It’s informed my creativity and aesthetics, it’s benefited me professionally and personally, and for every moment it steals, it gives back a hundred delights. I’d no sooner give it up than I’d give up fiction or any other pleasurable vice.

I think I’ve managed to balance things out through a few simple techniques that I’ve been refining for years. I still sometimes feel frazzled and info-whelmed, but that’s rare. Most of the time, I’m on top of my workload and my muse. Here’s how I do it:

• Short, regular work schedule. When I’m working on a story or novel, I set a modest daily goal — usually a page or two — and then I meet it every day, doing nothing else while I’m working on it. It’s not plausible or desirable to try to get the world to go away for hours at a time, but it’s entirely possible to make it all shut up for 20 minutes. Writing a page every day gets me more than a novel per year — do the math — and there’s always 20 minutes to be found in a day, no matter what else is going on. Twenty minutes is a short enough interval that it can be claimed from a sleep or meal-break (though this shouldn’t become a habit). The secret is to do it every day, weekends included, to keep the momentum going, and to allow your thoughts to wander to your next day’s page between sessions. Try to find one or two vivid sensory details to work into the next page, or a bon mot, so that you’ve already got some material when you sit down at the keyboard.
• Leave yourself a rough edge. When you hit your daily word-goal, stop. Stop even if you’re in the middle of a sentence. Especially if you’re in the middle of a sentence. That way, when you sit down at the keyboard the next day, your first five or ten words are already ordained, so that you get a little push before you begin your work. Knitters leave a bit of yarn sticking out of the day’s knitting so they know where to pick up the next day — they call it the “hint.” Potters leave a rough edge on the wet clay before they wrap it in plastic for the night — it’s hard to build on a smooth edge.
• Don’t research. Researching isn’t writing and vice-versa. When you come to a factual matter that you could google in a matter of seconds, don’t. Don’t give in and look up the length of the Brooklyn Bridge, the population of Rhode Island, or the distance to the Sun. That way lies distraction — an endless click-trance that will turn your 20 minutes of composing into a half-day’s idyll through the web. Instead, do what journalists do: type “TK” where your fact should go, as in “The Brooklyn bridge, all TK feet of it, sailed into the air like a kite.” “TK” appears in very few English words (the one I get tripped up on is “Atkins”) so a quick search through your document for “TK” will tell you whether you have any fact-checking to do afterwards. And your editor and copyeditor will recognize it if you miss it and bring it to your attention.
• Don’t be ceremonious. Forget advice about finding the right atmosphere to coax your muse into the room. Forget candles, music, silence, a good chair, a cigarette, or putting the kids to sleep. It’s nice to have all your physical needs met before you write, but if you convince yourself that you can only write in a perfect world, you compound the problem of finding 20 free minutes with the problem of finding the right environment at the same time. When the time is available, just put fingers to keyboard and write. You can put up with noise/silence/kids/discomfort/hunger for 20 minutes.
• Kill your word-processor. Word, Google Office and OpenOffice all come with a bewildering array of typesetting and automation settings that you can play with forever. Forget it. All that stuff is distraction, and the last thing you want is your tool second-guessing you, “correcting” your spelling, criticizing your sentence structure, and so on. The programmers who wrote your word processor type all day long, every day, and they have the power to buy or acquire any tool they can imagine for entering text into a computer. They don’t write their software with Word. They use a text-editor, like vi, Emacs, TextPad, BBEdit, Gedit, or any of a host of editors. These are some of the most venerable, reliable, powerful tools in the history of software (since they’re at the core of all other software) and they have almost no distracting features — but they do have powerful search-and-replace functions. Best of all, the humble .txt file can be read by practically every application on your computer, can be pasted directly into an email, and can’t transmit a virus.
• Realtime communications tools are deadly. The biggest impediment to concentration is your computer’s ecosystem of interruption technologies: IM, email alerts, RSS alerts, Skype rings, etc. Anything that requires you to wait for a response, even subconsciously, occupies your attention. Anything that leaps up on your screen to announce something new, occupies your attention. The more you can train your friends and family to use email, message boards, and similar technologies that allow you to save up your conversation for planned sessions instead of demanding your attention right now helps you carve out your 20 minutes. By all means, schedule a chat — voice, text, or video — when it’s needed, but leaving your IM running is like sitting down to work after hanging a giant “DISTRACT ME” sign over your desk, one that shines brightly enough to be seen by the entire world.

I don’t claim to have invented these techniques, but they’re the ones that have made the 21st century a good one for me.

Source.

New SF and Horror Mag Open to Submissions

New semi-pro magazine Presto Strange-O is looking for submissions.  Here are the guidelines:

Fiction

Fiction is Presto-Strange-O’s lifeblood! Without it, our pages would be mostly blank, and who wants a zine full of blank pages? Not you, I’m sure. Presto-Strange-O wants fiction that is weird. Genre doesn’t matter; we like them all! Sci-fi, fantasy, horror, romance, bizarro, surreal, western, literary—they’re all good, yo—there simply must be something weird going on in the story. Something strange. We really like stuff that’s funny, but we don’t dig stuff that reads like it’s trying too hard. Dark humor is awesome. Try to keep it under 2,000 words. Reprints rock, as long as you still have to rights to it. Try to keep it clean—none of this pr0n stuff all the kids are talkin’ about, and try not to drop too many f-bombs—you’re better than that. Also, we ain’t too keen on political stuff.

How to Submit

Send your stuff to: prestostrangeo@gmail.com. Send writing as an RTF attachment (Word docs are for fools, yo). Use a nice, sensible font like Helvetica or Courier, none of this Comic Sans or Curlz MT crap. Sent artwork as a TIFF, PDF or PSD attachment. You can send a 72 dpi low-res version on initial submission. On acceptance, we’ll ask for a hi-res (300 dpi) version. A web link to the specific piece you’re submitting is cool, too

For more info visit their website here.

New Anthology Open to Submissions

The Apex Book Company’s new anthology The Blackness Within is currently open to submissions.

The book is edited by Apex Magazine Senior Editor Gill Ainsworth.

Here are the guidelines:

Somewhere in a parochial village in Herefordshire, England, the Celtic God, Moccus, was re-born. Whether the winds were blowing in the wrong direction, or whether the times were accommodating, no-one knows, but it happened.

If you haven’t heard of Moccus, google. You’ll find he’s a Celtic pig-god whose influence affected all aspects of life, particularly fertility. The word pig has many connotations in today’s world and doesn’t necessarily limit Moccus to a pig-like appearance. Neither does it make a pig-like appearance mandatory. In other words, there is a lot for the imagination to explore.

I’m looking for stories that encompass all stages of Moccus’s reappearance from infancy — contemporary — to death (his middle age and near-future) — and how his influence spread throughout the world. He is powerful; his presence will be felt even in the backwaters of the Nile Delta. What I’m looking for are truly international takes on this theme, with settings from all over the world. The UK has already been covered.

This is primarily a horror/dark fantasy anthology but will stretch to the near future. That means no space exploration, nor out-and-out far-fetched science, and I don’t want apocalypse-type stories — the world will continue even after his death. However, psi stories, dark fantasy (not high fantasy) will all be considered. I’m not afraid of a little adult content. If in doubt, try me. Worst-case scenario is rejection — in the nicest possible way.

But please proof read. I don’t take grammatical problems well. Know your its from your it’s, effect from affect and please, please, to lay is a different verb from to lie. I rest my case.

Sounds pretty cool.

For further details visit the Apex website here.

Calling all aspiring writers!

Want to write a novel done in a month?  November may be the month to do it.  National Writing Month (or NaNo WriMo, as they call it) gives you tools to help you do it.

Check out the site.  It might be just what you’ve been looking for.